In early 2020, MUTA - International Festival of Audiovisual Appropriation and Cine Íntimo rescued and digitised a Peruvian archive of orphaned 8mm and Super 8 home movies. With the aim of restoring these lost memories, we sent the images around the world. This omnibus film is the result of the intervention of this material, by 14 experimental filmmakers. Fourteen perspectives and ways of experiencing appropriation. Fourteen variations on the intimate.

First film by the Whitney brothers.

A young violin prodigy is manipulated and pushed to her psychological breaking point by the composer she adores.

10 years after the Project XIII Crisis, Anderson Labs, led by Nick and Derek Anderson struggles to cure the remaining infected in a world that has been ravaged by not only zombies, but nuclear holocaust as well, causing most zombies to evolve into irradiated monsters who are almost impossible to kill. This, on top of a scheme to use what is known as N.E.D (Neurologically Enhanced Dead) Technology to create an army of zombies. The Mercs, Derek (Mudd) Carmen (Newgen) and Penny (June) must embark on a secret mission, unknown to everyone, including the government, to procure the last of the antidote that Anderson Labs created, to attempt to restore order in what's left of the world.

Runaway prisoner goes searching for a treasure to the island populated with poachers and starover cult with his two companions, an intellectual and a prostitute

暂无剧情简介

1988年夏天，在科西嘉岛，14岁的少女瓦妮娜（Vanina）和她的表姐以及16岁的姐姐一起完成了四百米游泳。这些少女偷偷溜出去，前往附近唯一的一家夜总会跳舞，并结识了一些男孩。为了到达夜总会，她们沿着国道边缘行走，穿梭在荒径之中，在高山那片繁星璀璨的夜空下翻越了韦纳科山口（Venaco pass）。

Potential fourth instalment in the Ocean's franchise. Plot TBA.

Originally, the images of Variations on two photographs by Tina Modotti were engraved directly on 16mm film to be projected as a backdrop for Louis Bédard's choreographic piece entitled Elles, which was inspired by the life and work of the well-known Mexican photographer Tina Modotti. My animations were particularly inspired by two images, first a photography of roses and second a photography of telegraphic wires, suggesting on the one hand an intimate and enclosed universe and, on the other, an infinite opening of space full of potential messages. I have reworked and developed them into an almost abstract meditative drama, caught in a tension between those two photographs.